Rarely have I ever been completely mesmerized by local Philippine movies, not that I'm saying the local movie scene sucks, but for three main reasons: One, I rarely watch local movies. Two, and perhaps the reason for the first argument, they rarely make real masterpieces and if they ever do, its usually on the hush-hush, and three because of this movie., Maynila: Sa Mga Kuko ng Liwanag, which truly sets the bar really high, as expected no less from its director, the late, great Lino Brocka, one of the greatest Filipino filmmakers of all time and of the film itself that claims to be the greatest Philippine movie ever made.

The film is about a "probinsyano" (people from the provinces or somewhere outside the big city), Julio Madiaga as played by the young Bembol Roco (before known as Rafael Roco Jr.) who went to the big city of Manila to search for his lost love, Ligaya Paraiso (played by Hilda Koronel, the character name Ligaya Paraiso literally translates to "Joyful Paradise") who was tricked and taken to Manila by a certain shady old woman named Mrs. Cruz, who came to their province and promised Ligaya and several other women a better life in the big city if they came with her. Out of worry for his lover who hasn't wrote back to her family for months, Julio decided to brave the odds and search for Ligaya despite having no clues of her whereabouts. Little did he know his adventure would take him farther and deeper than he expects into the dark maw of the city's scum. Crime, poverty, injustice are to name a general few but to get keep getting victimized by it is a different story. After all of the city's hostility, will Julio be able to keep his sanity intact until he finds Ligaya? And when he finds Ligaya, will he be able to bring her back and live happily ever after? Or will it be a shock of reality that would land the final blow, turning the kind and meek Julio into a monster of vengeance.






Just like the tagline on this show's theatrical poster:

"Sa bawat latay, kahit aso'y nag-iiba.
Sa unang latay siya'y magtataka.
Sa ikalawa siya'y mag-iisip.
Sa ikatlo siya'y magtatanda.
Sa ikaapat, humanda ka!"

Which literally translates to: "For every lash of the whip, even a dog changes thought. Lash him once and he'll start wondering. Lash him twice and he'll start thinking. Lash him thrice and he'll remember it. Lash him for the fourth time, you'd best be prepared!". Julio like the stray dog who unwittingly entered hell, through the vicissitudes of living around and getting victimized by scum, slowly evolves, turning himself into something that scared even himself. The movie, aside from being a perfect mirror of the sad realities of the impoverished sector in the Philippines (perhaps evident in other countries as well), also serves as a dire example on the downfall of man, that even the most meek of humans, once pushed far enough, can and will do the unthinkable.

 

  
After seeing and being enthralled with its uniquely music-themed, action-packed, and with an awesome story to boot series of Cowboy Bebop and Samurai Champloo, I found myself craving and sought for more of Shinichiro Watanabe's work. In doing so, I've come across a couple of great and memorable shows he's had a hand in producing (e.g. Eureka Seven, Ergo Proxy and Escaflowne). Although he only has a handful of shows in which he directed and a bunch of others where mostly he is in charge of storyboard, the two aforementioned shows totally stand out from the rest which sets the bar really high for his work for me. Then I stumbled upon a certain anime image of  Michiko to Hatchin with a gun-toting, brown hottie of a woman with a teasing look, riding a scooter with a seemingly timid blondie kid. What an ironic pair. Seeing the show is produced by Manglobe, the same guys who produced Ergo Proxy and Samurai Champloo and with Mr. Watanabe in charge of the music. For sure I knew, I was in for a treat and boy did Michiko to Hatchin blew me away.